Al-Andalus, Gharb al-Andalus: history, religion, and art in Muslim Spain and Portugal
Azulejos, the glazed ceramic tiles that in Portugal decorate the walls of train stations, the interior and exterior of historical buildings and ordinary houses, monuments, fountains, benches, and pathways, acted over the years as a cultural bridge between the Middle East, Latin Europe, and Portuguese colonies all over the world.
Introduced in the Iberian Peninsula during the Muslim invasion, "the tile was not only absorbed by the local culture, but also taken by the Portuguese people to other places, such as Brazil or India. In these new places, it acquired new meanings, being adapted and transformed according to the local aesthetic tastes." (Magalhães, 2020).
“Design creates culture. Culture shapes values. Values determine the future.”
- Robert L. Peters -
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Zellīj (or zellige) - a tile decoration technique that originated in the Maghreb area in the 10th century - is characterized by mosaics with complex geometric patterns, often associated with Islamic art due to their aniconic quality (in religion, aniconism indicates the opposition to the use of icons or visual images to depict living creatures or religious figures): an essay published by the Met Museum explains that "geometric patterns make up one of the three nonfigural types of decoration in Islamic art, which also include calligraphyand vegetal patterns. While geometric ornamentation may have reached a pinnacle in the Islamic world, the sources for both the shapes and the intricate patterns already existed in late antiquity among the Greeks, Romans, and Sasanians in Iran. Islamic artists appropriated key elements from the classical tradition, then complicated and elaborated upon them in order to invent a new form of decoration that stressed the importance of unity and order. The significant intellectual contributions of Islamic mathematicians, astronomers, and scientists were essential to the creation of this unique new style." [See research on the Evolution of Islamic geometric patterns and study on The Secret Of “Circle” In Islamic Architecture for further details on this particular matter].
From Andalusia, the tile of Muslim originwas then introduced in Portugal by Manuel I, King of Portugal (1469-1521), "who visiting 'Castile, was so impressed with the ceramic compositions used in Andalusia that, [...] on his initiative, an order for 10 146 Hispano-Moorish tiles, for the decoration of his palace in Sintra, arrived in the port of Belém, in Lisbon, in 1508, in which a wide variety of tile patterns and techniques were applied like dry rope, edge, stapled, and relieved tiles.'." (Magalhães, 2020).
"Hispano-Moresque Tiles: The interior walls of the National Palace of Sintra are lined with Europe’s largest set of Mudejar tiles still in place today. The walls of the Sala dos Archeiros (Archers’ Room) are lined with relief tiles, decorated with a motif of vine leaves and bunches of grapes and using a technique in which the clay is moulded with high-relief forms. This represented an entirely new decorative type of tile". (Google Arts & Culture)
Visual art aside, the Islamic rule in the Iberian Peninsula (known at the time as Al-Andalus) left distinctive marks on the both the Spanish and the Portuguese language:
- the International Institute of the Portuguese Language (IILP) reports that "the extent of the influence of Arabic in Portuguese, which most authors summarize to about 1,000 nouns, should be considerably expanded, not only in its number, which according to Adalberto Alves is 18,073 terms, as well as at grammatical level, it includes not only nouns, but adjectives, verbs, pronouns, articles and interjections.", while Alugha claims that "there are 17 semantic fields in the Portuguese language with Arabic influence: public administration, war, social life and relations, private life, rural and urban nomenclature, flora, natural resources, fauna, agriculture, weights, measurements and mathematics, commerce and industry, dynasty and ethnicity, colors, adjectives, grammatical instruments, verbs and greetings";
- with regard to Spanish, "according to philologist Rafael Lapesa, a Spanish historian and former director of the Spanish Royal Academy, about 4,000 words of modern Spanish come from Arabic." (Babbel).
Note that the 14th word in this infographic is actually azulejo, from Arabic az-zulayj, polished stone (Infographic source: Qatar Foundation International. On a related note, click here to visit the Museum of Islamic Art in Doha).
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- Google Arts & Culture: "National Palace of Sintra | Tile". [Online]
- IILP: "THE INFLUENCES OF ARAB IN PORTUGUESE LANGUAGE AND PORTUGUESE PLACES WITH ARAB NAMES". [Online]
- Alugha: "Arabic influences in the Portuguese language: do you know the origin?". [Online]
- Babbel Magazine: "The Influence Of Arabic On The Spanish Language". [Online]
- Qatar Foundation International: "Infographic: Arabic Influence on the Spanish Language". [Online]
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Disclosure: This post contains affiliate links. If you were to buy any of the products/services listed here, I would earn a small commission (at no additional cost to you).
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